NotitiesThe Writer’s Journey
Cristopher Vogler
Het boek "The Writer’s Journey" van Cristopher Vogler onderzoekt de archetypische heldenreis en de verschillende rollen die helden kunnen aannemen. Het bespreekt ook de genderproblemen in de heldenreis, waarbij wordt erkend dat de ervaringen van mannen en vrouwen verschillen, met mannen die een meer lineaire reis ervaren en vrouwen die een spiraalvormige aanpak kunnen hebben.
The most admirable hero is one who denies his heroic role as long as possible and who, like Mad Max, avoids accepting responsibility for anyone but himself. (Page 0)
like any philosophy or creed, the heroic form can be warped and used with great effect for ill intention. (Page 0)
e warrior is only one of the faces of the hero, who can also be pacifist, mother, pilgrim, fool, wanderer, hermit, inventor, nurse, savior, artist, lunatic, lover, clown, king, victim, slave, worker, rebel, adventurer, tragic failure, coward, saint, monster, etc. Th e many creative possibilities of the form far outweigh its potential for abuse. (Page 0)
GENDER PROBLEMS The Hero's Journey is sometimes critiqued as a masculine theory, cooked up by men to enforce their dominance, and with little relevance to the unique and quite different journey of womanhood. There may be some masculine bias built into the description of the hero cycle since many of its theoreticians have been male, and I freely admit it: I'm a man and can't help seeing the world through the filter of my gender. Yet I have tried to acknowledge and explore the ways in which the woman's journey is different from the man's. I believe that much of the journey is the same for all humans, since we share many realities of birth, growth, and decay, but clearly being a woman imposes distinct cycles, rhythms, pressures, and needs. There may be a real difference in the form of men's and women's journeys. Men's journeys may be in some sense more linear, proceeding from one outward goal to the next, while women's journeys may spin or spiral inward and outward. The spiral may be a more accurate analogue for the woman's journey than a straight line or a simple circle. Another possible model might be a series of concentric rings, with the woman making a journey inward towards the center and then expanding out again. The masculine need to go out and overcome obstacles, to achieve, conquer, and possess, may be replaced in the woman's journey by the drives to preserve the family and the species, make a home, grapple with emotions, come to accord, or cultivate beauty. (Page 0)